by Scott Roos
photo by Aaron Brown
Our grade: B
Morgan Robertson's debut album, Eighteen, released on November 1st, marks a significant entry into the Saskatchewan country music scene. Hailing from Carlyle, Robertson has crafted a collection of songs that reflect a pivotal year in her life, filled with growth, change, and the raw realities of transitioning into adulthood. Recorded at Rainy Day Recording Co. with producer Matt Stinn, the album is a testament to Robertson's artistry and potential, showcasing her talent as both a musician and a storyteller.
From the outset, it's clear that the unique timbre of Robertson's voice is a standout feature of Eighteen. Her emotive delivery weaves through the album's narratives, painting vivid pictures of her experiences as an eighteen-year-old navigating life’s complexities. Notably, many of these songs were written at least three years ago, creating a bit of a time capsule when it comes to Robertson's songwriting prowess. With a solid lineup of musicians—Kyle Krysa on drums, Travis Williams on bass, Jaxon Lalonde on banjo, Luke Goetz on steel guitar, and Matt Stinn contributing keys, percussion, and vocal harmonies—along with Robertson herself playing guitar, mandolin, and fiddle—the album boasts a rich, full sound that complements her vocals beautifully. The band’s tight arrangements, which Robertson played a lead role in terms of creative vision, provide a strong foundation for her to explore various themes, from heartbreak to self-discovery.
The opening track, “Green Eyes,” establishes the album's tone with its catchy, folksy pop-country sound. It encapsulates the essence of longing, featuring a memorable chorus and a standout guitar solo by Adam Swalm. However, some of Robertson's diction—particularly the hard "R" consonants—can be distracting, drawing attention away from her otherwise unqie and inviting voice. This, while a minor distraction, highlights an area for growth as she matures in her craft.
“Crude” offers a deeper dive into the working-class experience, showcasing her respect for the oilfield lifestyle. It features engaging guitar work and a chorus that resonates with those familiar with the struggles and rewards of hard labor. Here, Robertson's storytelling shines, emphasizing her connection to her roots and the authenticity that permeates her writing. It’s one of the album's standout tracks, encapsulating both her personal journey and broader social themes.
Throughout Eighteen, Robertson grapples with her identity, as illustrated in “I Enjoy the Rain” and “Wandering Hands.” While these tracks highlight her softer side, they also reveal some inconsistencies in vocal clarity. At times, her emotive style leans into mumbling, which might frustrate listeners looking for more precision. Yet, this vulnerability adds a layer of authenticity, reminding us of the messy, introspective nature of youth.
The titular track, “Eighteen,” serves as a powerful reflection on her past self. Its cool arpeggiated guitar line pairs perfectly with her tender vocals, effectively capturing the essence of coming-of-age. This is where Robertson's songwriting truly stands out, revealing a keen ability to convey her internal struggles while resonating with her audience.
As the album progresses, some tracks, like “Victim” and “Letting Go,” tread familiar ground. The slow ballads, while beautifully composed, risk feeling repetitive. However, “Letting Go” stands out for its shift into a higher vocal range, bringing a fresh urgency to the album’s flow. It highlights Robertson's potential to push her boundaries and explore new musical territories.
At its best, Eighteen showcases a promising songwriter who skillfully weaves her voice into the instrumental fabric of her music, creating a soft, sultry, almost reed-like tonal quality with warmth and depth to spare. The deeply personal lyrics resonate with universal themes of growth and self-exploration, making this debut a relatable journey for many.
Morgan Robertson is undoubtedly an artist to watch as she continues to evolve. While Eighteen may have its rough edges, it provides a solid foundation upon which she can build. With time, experience, and continued collaboration with top-notch musicians, there’s no doubt that Robertson will only grow stronger as a songwriter and performer. This album is just the beginning of what promises to be an exciting career in country music.
Comments