by Scott Roos
Our Grade: B-
Go Bwah, the Saskatoon based trio, released their debut album, Nu Wave on October 19. The album which thematically offers an intriguing exploration of identity in an increasingly globalized world where our "work defines our belonging", was recorded at Barret Ross’ Rec Hall Studio and mixed by Brodie Mohninger. Collectively, it presents a soundscape that fuses elements of post-punk, art rock, disco and quirky new wave. The band carries on with original member Jason MacKinnon as the bassist, vocalist and primary songwriter with new additions Trent Heiber on drums and Brodie Mohninger on guitar.
From the outset, Go Bwah establishes their distinct identity with compelling interplay between MacKinnon, Heiber and Mohninger. Their music thrives on contradictions, featuring hook laden choruses paired with dissonant riffs. While this combination can be engaging, it also reveals the challenges they face in fully realizing their potential, particularly in the vocal department.
MacKinnon’s spirited vocal delivery channels a Fred Schneider-esque quirkiness reminiscent of the B-52's, but also carries a timbre that recalls Jello Biafra of the Dead Kennedys. This unique blend can be both charming and jarring; while it adds a playful edge, it sometimes overshadows the band’s strong instrumental arrangements. The musicianship shines through with punchy bass lines and intricate guitar work that evoke the twists and turns in the sound of the Jesus Lizard, enhancing the album's complexity. The influence of Frank Zappa is palpable in MacKinnon's comedic, tongue-in-cheek approach to songwriting. Although it's admittedly low hanging fruit to mention Zappa in a review when a band is well... weird sounding.
A standout moment on the album is “The Cha Cha Chance,” where Go Bwah fully embraces their strengths. This track combines progressive instrumentation ala King Crimson (a nod to the funky and engaging Discipline album) with infectious grooves, striking a balance that allows the vocals to feel more integrated into the overall sound. It ends with an almost Black Sabbath-like slowed down doom vibe that fades away and is a solid ending to the album as a whole.
Another notable track, “The Deeps,” showcases the band’s versatility, embracing an almost Pixies-esque style. Here, they successfully bring the energy down a notch, creating a more contemplative atmosphere that highlights their ability to shift dynamics while maintaining a compelling sound.
While Nu Wave has its ups and downs, the album navigates between lively grooves and more introspective moments. Go Bwah does effectively addresses the lyrical themes that MacKinnon was leaning into and it would be relatively easy to imagine a Nu Wave track fitting seamlessly into the right quirky, curated playlist, showcasing the band's potential to shine in the context of an eclectic mix.
Moreover, the live experience is likely where Go Bwah truly thrives. Their brand of music would undoubtedly resonate in a dimly lit small club, where audiences are ready to let loose and embrace the eccentricity for a wild 30 to 45 minutes. The energetic performances and infectious grooves would create an atmosphere perfect for those looking to escape and just freak out.
In conclusion, Nu Wave showcases Go Bwah's creative potential and musical talent, weaving together a mix of influences that celebrate the weird and wonderful. While the vocal style may not resonate with everyone (the vocals are very much an acquired taste) tracks like “The Cha Cha Chance” and “The Deeps” highlight the band's unique approach and versatility. With their energetic sound and quirky charm, Go Bwah is a band worth keeping an eye on as they continue to refine their artistic journey.
Our Grade Scale:
A - This album is great.
B - This album is good.
C - This album is okay. While it does exude strengths there are too many aspects that detract from the whole.
D - This album is not great.
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